‘This welcome new disc … the Royals have a special feeling for texture and colour, which is vital in this music, but an equally strong sense of structure … every note in these pieces remains distinctive and original—confirming Szymanowski as a still underrated master of the medium. Making what must now count as the best recording of these works even more satisfying, the Szymanowski quartets are wrapped around the String Quartet of Różycki … a hidden gem’ (BBC Music Magazine)

‘The beautiful 24-year-old Russian violinist Alina Ibragimova teams with French pianist Cedric Tiberghien to prove that Szymanowski's violin music is the most impressive of his chamber music, especially the Scriabinesque Violin Sonata in D-minor Op 9. An exceptional disc’ (The Buffalo News, USA)

‘Ibragimova's stunningly potent technique—the stuff of legend even in the close scrutiny of the digital age—is soon forgotten in a sensuous croon through which the more extravagantly impossible the violinistic hurdles, the more ecstatically glorious her tone becomes. Indeed, hurdles do not exist for her, and the usual descriptive and critical terms are useless, if only because they suggest comparison with other artists suddenly dwarfed by the incomparable. Such phrases as 'a tonal palette ranging from guttural coruscation to the most brilliantly glowing scintillance' simply will not do. There is a touch of the uncanny here, even a suggestion of the human voice—as of whispers, sighs, moans, wailing—in which the notes dissolve into a direct spiritual prehension. Ibragimova does not play or perform—she utterly possesses’ (Fanfare, USA)

‘Ibragimova and Tiberghien produce beautifully characterised accounts, whether in the veiled contours of the Nocturne and the explosion of rhythmic energy that follows it in the Tarantella, or in the refined exoticism of Mythes, with its strange mixture of classical evocation and sensuous indulgence’ (The Guardian)

‘The early violin sonata is especially fine, as are the little-known Paganini caprices’ (The Evening Standard)

‘Ibragimova and Tiberghien make a winning combination, both in the sweltering sensuality of the central works and in the more conventional late-Romantic effulgence of the warm-hearted Sonata of 1909 … this repertoire should be high on the priority list of all those interested in 20th-century violin music, and it's not easy to imagine a stronger case being made for it than here’ (Gramophone)

‘This is a performance that shows Ibragimova's art at her remarkable best; at one moment poised, the next playing with abandon, she is one of the most expressive violinists around’ (BBC Music Magazine)

‘We are living in a Second Golden Age of violinists, but even in the context of Hilary Hahn, Leila Josefowitz and Julia Fischer, Alina Ibragimova is an astonishing talent … technically the playing is superb. Intonation is exceptional, and Ibragimova's timbral range—from the coarse to the silken, from the richly throbbing to the chastely disembodied—seems unlimited. The music is studded with challenges … she tosses it all off with self-confident authority … Cédric Tiberghien, with whom Ibragimova has played often, offers a real partnership rather than mere support … this is a major release’ (International Record Review)

‘Dennis Lee clarifies the cascades of notes—or rather sonorities … so that these complex pieces are understood more easily than usual’ (BBC Music Magazine)

‘Will afford delight as well as discovery … this disc surpasses any earlier commercial recordings of Szymanowski’s music I have heard’ (Gramophone)

'Being a natural inheritor of Scriabinesque exoticism, Szymanowski is bound to bring out the best in Scriabin’s most imaginative interpreters, which is why Valery Gergiev proves such a convincing interpreter of both works. He draws excellent playing from the London Symphony Orchestra, balances some complex textures with an expert ear and the clear, close-set recording has an impressive dynamic range. Very useful, too, to have the first two symphonies coupled on a single CD' (Gramophone)

'The LSO’s performances brim with virtuosic energy' (Listen, USA)