1 January 1900
The Dallas Morning News
Schumann: Piano Quartet & Piano Quintet
CDA66657  Download only 

‘A tonic to refresh those worn-out ears—or for anyone who loves chamber music’ (The Dallas Morning News)
1 January 1900
Fono Forum, Germany
Schumann: String Quartet & Piano Quintet
CDA67631 

„Empfehlung des Monats … das Klavierquintett klingt gleichermaßen beredt wie fantasievoll, nicht zuletzt dank Marc-Andre Hamelin. Spielfreudiger, kenntnisreicher lasst sich das. [Streichquartett] kaum darstellen“ (Fono Forum, Germany)
1 January 1900
The Times
Schumann: String Quartet & Piano Quintet
CDA67631 

‘The verve of the Takács is irresistible, especially when the players are partnered in the Piano Quintet by Marc-André Hamelin … the heart quickens most when Hamelin's febrile fingers urge the strings ever further into the Quintet's special blend of turbulence, joy and nostalgia’ (The Times)
1 January 1900
The Strad
Schumann: String Quartet & Piano Quintet
CDA67631 

‘As is to be expected, the Takács Quartet provide a sumptuous disc here … an ensemble of the first rank. Younger ensembles may restrain their use of the vibrato rather more, but such mannerisms are made up for by the depth and insight of these performances. Hyperion has produced this disc well with admirable clarity of sound, while the booklet notes provide an informative essay’ (The Strad)
1 January 1900
The Observer
Schumann: String Quartet & Piano Quintet
CDA67631 

‘Schumann's virtuosic Piano Quintet is one of the glories of the repertoire … the Takács and Hamelin, at once delicate and muscular, combine to spellbinding effect. The earlier String Quartet Op 41 No 3 is played with wistful tenderness’ (The Observer)
1 January 1900

Schumann: String Quartet & Piano Quintet
CDA67631 

‘The Takács and Hamelin have just the right combination of tensile strength and lyrical ardour … the poise and quality of the playing is exceptional throughout … the Takács possess a poetry and fluency that make for very absorbing listening: this is compelling, concentrated quartet playing of very high quality … there are excellent notes by Misha Donat and both works benefit from wonderfully natural recorded sound. The result is a Schumann disc of great distinction’ (International Record Review)
1 January 1900

Schumann: String Quartet & Piano Quintet
CDA67631 

‘Such an outstanding ensemble as the Takács … [A major quartet] fabulous textural clarity, revealing just how imaginatively resourceful Schumann's writing is, and a special feeling for the troubled, nervous strands in his musical personality’ (BBC Music Magazine)
1 January 1900

Schumann: String Quartet & Piano Quintet
CDA67631 

‘Outstanding musicianship and virtuosity abound on this stunning disc … the sense is of true chamber interplay between five equals … the Hyperion sound is more spacious … and once again the Takács revel in the classical logic of Schumann's vision … that this disc simply gets better and better on repeated listening is ample recommendation’ (Gramophone)
1 January 1900
The Mail on Sunday
Schumann: The Complete Songs
CDS44441/50  10CDs Boxed set (at a special price) 

'The best Schumann reissue so far is Hyperion's box of complete songs … this is a landmark issue no serious collector should be without' (The Mail on Sunday)
1 January 1900
Fanfare, USA
Schumann: The Complete Songs, Vol. 1 - Christine Schäfer
CDJ33101  Download only 

‘This is one of the finest Lieder recordings I've ever heard … imaginatively and intelligently conceived, and superlatively achieved’ (Fanfare, USA)
1 January 1900
In Tune, Japan
Schumann: The Complete Songs, Vol. 1 - Christine Schäfer
CDJ33101  Download only 

‘All now stand and salute! … In fine sonics and a most complete booklet in English plus the original German poems and translations, Hyperion deserve our thanks’ (In Tune, Japan)
1 January 1900
The Singer
Schumann: The Complete Songs, Vol. 1 - Christine Schäfer
CDJ33101  Download only 

‘There is much beauty in these songs and if they need first-class performers to reveal their glories they certainly have them here, with Schäfer's beautifully clear, shining, radiant voice, Johnson's warm and sensitive accompaniment, all wrapped in the wonderfully intimate acoustic that Hyperion always manages for its vocal discs. As with the Schubert series, Johnson's notes are a work of art in themselves, with deeply-thought insights on every page. He is truly a peerless representative of song’ (The Singer)
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