‘Stephen Hough and Andrew Litton cut a swathe through the decades-long undergrowth of bad tradition, revealing leaner, more potent works in the process … a terrific achievement’ (The Evening Standard)

‘This is fin-de-siècle musical romance moulded with perception, and Hough himself is on magnificent form … Hough's set takes the palm as the pre-eminent digital edition of the Rachmaninov piano concertos’ (The Independent)

‘These rank among the most illuminating—and most compelling—performances in the catalog. Whether you're a Rachmaninov addict looking for fresh perspectives on the music or a neophyte looking for the cycle in up-to-date sound, Hough and Litton can be recommended without hesitation’ (Fanfare, USA)

‘Overall, these live concert recordings stand out in a field jam-packed with first-rate Rachmaninov concerto cycles’ (BBC Music Magazine)

‘Hough. Litton. Rachmaninov concertos. Hyperion. Already a mouth-watering prospect, is it not? So, like the old Fry's Five Boys chocolate advert, does Anticipation match Realisation in these five much recorded confections? The answer is 'yes' on almost every level’ (Gramophone)

‘The freshness and joy in rediscovering well-worn masterpieces are everywhere in evidence in Hough's playing … if you think you have heard these pieces once too often, this is the recording to help you rediscover their intimacies and their emotional sweep’ (The Daily Telegraph)

‘These are exhilarating performances, freshly conceived and texturally pristine … with such committed advocacy and technical bravura, Hough's interpretations demand to be heard’ (The Sunday Times)

‘This is the best set of Rachmaninov Piano Concertos ever recorded. You have no idea how hard I worked not to come to this conclusion, knowing full well just how skeptically such a claim is likely to be received. I compared Stephen Hough to multiple Ashkenazy renditions, to Earl Wild, to Zoltan Kocsis, to Argerich, Rubinstein, Richter, Rodriguez, and Horowitz. I ploughed through several obscure Russian recordings, two cycles on Naxos, and a slew of EMIs. I re-auditioned Pletnev and sampled two separate remasterings of Rachmaninov's own performances. I listened with scores, then waited a few days, and then tried again without them. I played these discs to colleagues, to friends, and to people whose musical judgment I trust as much if not more than my own. But the conclusion was inescapable: there never has been a complete cycle at this level of consistent excellence. There's no doubt about it’ (Classics Today)

‘An exciting new Rachmaninov set that's definitely not to be missed’ (HMV Choice)

‘What Hough has come up with is much fleeter and leaner than the overripe romantic effects usually lavished on these concertos … he keeps the music on the move, carefully regulating its ebb and flow, so that Rachmaninov’s melodies float above the harmonic feints and sidesteps … as fine as anything Hough has done on disc to date’ (The Guardian)

‘Carefully considered interpretations despatched with consummate musicianship and virtuosity, and using as their inspiration Rachmaninov's own recordings’ (The Mail on Sunday)

‘The spark of these live performances has survived inevitable patching sessions to place Stephen Hough's complete account of Rachmaninov's works for piano and orchestra into the top flight’ (Music Week)