‘Everything about this release is distinguished: superb engineering that puts the performers squarely in the room; virtuosic execution, with precision prevailing, even in the most rapidly executed runs; careful attention to balances, detail, and dynamics; and, perhaps most important, tempos that invariably hit the right emotional and aesthetic bull's eye’ (Fanfare, USA)

‘The Florestan Trio certainly does not miss the pungency in the writing, though the hallmark of its performance is the elegance of the playing. The careful weighting of each instrument brings a pleasing transparency, creating a more richly detailed account than many of the alternative recordings’ (The Strad)

‘This final instalment of the Florestan Trio's complete Beethoven cycle is every bit as impressive as its predecessors … no one who's been following this fine series need hesitate to acquire this very well recorded disc’ (BBC Music Magazine)

‘A most welcome completion of a superb cycle’ (International Record Review)

‘This completes the Florestan Trio's Beethoven series. I've been impressed throughout by their thoughtfulness, the way each passage is presented to maximum effect. There's an overall Florestan style too,—avoiding heaviness, keeping the textures light and airy, and giving every phrase an individual life and character’ (Gramophone)

‘With the Florestan Trio's fourth and last Hyperion CD of Beethoven's complete piano trios you enter the Elysian Fields almost straight away … This Hyperion series has already been so rapturously received that the pleasures of this last disc come as no surprise. Even so, the performances' freshness can still amaze’ (The Times)

‘This superb account of Beethoven's early ballet is a revelation’ (The Guardian)

‘A good deal to admire’ (American Record Guide)

‘Kinderman is evidently a thoughtful musician whose ideas about this great music are worth pondering’ (BBC Music Magazine)

‘As rivals, Benedetti, Grosvenor and Kanneh-Mason were powerful; as allies and advocates they are unstoppable’ (The Sunday Times)

‘The Triple Concerto is especially impressive and engaging, brimming with refreshing, youthful charm. Let’s hope Benedetti, Kanneh-Mason, and Grosvenor will grace us with more collaborative projects in the future’ (The Classic Review)

‘The TSO plays with the punch and style of the 40s movie studio orchestras … and the works are simply delightful … with a classy piano leading the way, this great find is simply magical gold laced with genius. The quickest way to cut through jaded classical ears is with a dose of this gem’ (Midwest Record, USA)