‘Much here is rarified and quite lovely, indicative of a young composer in the thralls of an abundance of talent’ (Audiophile Audition, USA)» More

‘What a force the Trinity choir has become … and the strength-in-depth it has developed, in the first eight years of Stephen Layton's directorship’ (BBC Music Magazine)» More

‘A precisely articulated vividness that works superbly’ (BBC Music Magazine)» More

‘Not only are there no bad Angela Hewitt records, there are no merely mediocre ones … she is a fine Liszt pianist’ (The Buffalo News, USA)» More

‘Gerald Finley offers 17 items in the third volume, singing expertly in four languages … in excellent sound the whole adds up to a delightful sequence of discoveries’ (BBC Music Magazine)» More

‘Peter Phillips’s group, chief specialists in Renaissance vocal music, come to this repertoire with special gifts. The forces are modest, just two voices to a part, perfect for spreading clarity and light … every note, heard singly or in combination, hits home with supreme force … this is a gorgeous and inspiring album’ (The Times)» More

„Prokofievs Cellokonzert sei 'a killer for bows, cellists, orchestras, even audiences! But it’s still a great piece'. Zusammen mit Paavo Järvi hat er es für Hyperion aufgenommen, und die beiden setzen das 35 Minuten lange Werk unter Hochspannung. Was da alles passiert, was an Detailfülle herausgearbeitet wird, ist stupend“ (Pizzicato, Luxembourg)» More

‘The genius of Rameau still inspires and challenges us today. He is certainly lucky that performers like Esfahani have engaged his spirit in well-thought and ultimately, highly communicative readings like this one’ (Audiophile Audition, USA)» More

‘Stephen Layton draws extraordinary and urgent performances from his young singers—finding both the power … and delicacy … performances [are] charged with real emotional intent. The result is arresting in its intensity’ (Sinfini Music)» More

‘The Fantasie in E Major (1898) by Jongen finds an admirable lyricism in this performance by Philippe Graffin, whose 1730 Busano instrument lights up its delicate, relatively uncomplicated colors’ (Audiophile Audition, USA)» More

‘Isserlis seems in his element in this hard-hitting, virtuosic music and he and the orchestra play with great fire, rhythmic energy and passion’ (MusicWeb International)» More

‘The 20-strong members of the choral section of Arcangelo sing with a splendid radiance and bold, highly persuasive exuberance that knocks you over with its perspicacity and sheer sonic power … this is easily one of the best B-minors on the market’ (Audiophile Audition, USA)» More