‘Top marks again to King for his choice of soloists – in Stutzmann, above all, we have one of today’s best baroque voices’ (Gramophone)

‘The performances fully live up to the remarkably high standards that informed the previous issues. A fine addition to one of the most rewarding series currently in progress’ (Fanfare, USA)

‘Richly rewarding music, wonderfully performed. I’m eager to dive into Volumes 1 to 5’ (Opera News)

‘Bravo to the King’s Consort, whose skilful performances are bringing this important repertoire to the attention of listeners as well as other performers’ (Schwann/Opus, USA)

‘Get this new volume at once, work your way backwards and acquire the earlier volumes, and pray that this series continues for many years’ (Goldberg)

‘Vivid, vigorous and immaculate accounts. Stutzmann’s unique voice quite fabulous in the Vestro Principi … superb choral singing, all perfectly balanced by the engineers’ (Yorkshire Post)

‘A superb release of little-heard Vivaldi … Volume 6 of this series was a Gramophone Award nominee this year and I see no possible reason why this one shouldn't be too: it contains some very fine and largely unfamiliar music in splendid performances’ (Gramophone)

‘Quite frankly, this is the kind of disc that wins awards. Yet again, it’s congratulations to Hyperion. If you haven’t yet sampled this series, start here’ (Early Music Review)

‘One of the most rewarding discs in this splendid series to date’ (International Record Review)

‘The performers give stunning vocals … the playing of The King’s Consort is superb’ (AdLib)

«L’orchestre est absolument superbe de précision et de raffinement, et la patte de King se fait sentir partout: on peut ainsi admirer la science du coloris et la gracieuse légèreté de touché, ou tout simplement adorer l’idée même qu’il semble se faire de la sonorité idéale, fruits et fleurs mêlés» (Classica, France)

‘Beautifully performed … it doesn’t get much better than this’ (Classic FM Magazine)