1 January 1900

Tormis: Choral Music
CDA67601 

‘The Holst Singers are a reputable British choir, and they have shown admirable commitment to recording and performing contemporary and neglected works … there's a great deal of dramatic and dynamic variety under the sure leadership of conductor Stephen Layton, as well as obvious commitment to this exotic material’ (Opera News)
1 January 1900

Tormis: Choral Music
CDA67601 

‘No doubt each listener will have favourite moments, but a few of the most distinctive songs include the atmospheric 'Singing aboard ship' (1983)—weeping sweethearts left on the shore as their young men are conscripted to fight at sea; the highly evocative 'Autumn landscapes' (1964)—rendered with tenderness and subtlety; and the mesmeric 'Estonian game songs' (1972), with haunting chants and rich harmonies. The Holst Singers prove to be fine advocates for Tormis, treating his music with the respect it deserves and showing that there is much worth exploring. This release can be warmly recommended’ (Classical Source)
1 January 1900
Classics Today
Tormis: Choral Music
CDA67601 

‘There's so much here to enjoy—and play over again—and it's remarkable how Stephen Layton and his Holst Singers have so convincingly captured the flavor and character of the music and language—we usually only hear native choirs in this repertoire. The sound, from London's All Hallows Church, Gospel Oak, is just perfect—and Meurig Bowen's excellent notes complete an all-around first-rate release. This immediately joins my 'best discs of the year' list!’ (Classics Today)
1 January 1900
Musical Criticism.com
Tormis: Choral Music
CDA67601 

‘This wonderful new Hyperion release dedicated to Tormis' music with Stephen Layton and the Holst Singers should, by virtue of its fascinating resuscitation of internationally neglected works, further contribute to the composer's Western emergence … the works presented on this disc cover … almost the whole breadth of the composer's career … the idiomatic and skilful performances on this release present the listener with a clear opportunity to appreciate the development and gradual maturation of a talented composer's folk-inflected voice … this is a fine, fine disc of somewhat neglected choral treasures’ (Musical Criticism.com)
1 January 1900
Fanfare, USA
Tormis: Choral Music
CDA67601 

‘This collection of choral songs is full of any number of magical effects that can only be realized by the very best ensembles. The Holst Singers surely fall into that category: in this range of works composed between 1948 and 1989 that range in tone from ambitious to playful, the group encompasses the Estonian earthiness without letting the music-making become too pretty’ (Fanfare, USA)
1 January 1900
American Record Guide
Tormis: Choral Music
CDA67601 

‘The singing is nothing short of extraordinary … Stephen Layton summons up the most varied set of fortes and pianissimos … all good conductors work hard to taper their louds and softs, but this guy does it with an expressive flair that’s overwhelming … the choral artistry lives up to the music, and that’s saying a lot’ (American Record Guide)
1 January 1900
The Scotsman
Tormis: Choral Music
CDA67601 

‘These performances by the Holst Singers under Stephen Layton capture the mustical simplicity of Tormis's choral style, a touching blend of naturally-flowing tonality tinged with splashes of judiciously applied dissonance. Estonian lullabies, game songs, and othe more sulty examples of his mellifluous writing give character and variety to this colourful selection of a cappella part songs’ (The Scotsman)
1 January 1900

Tormis: Choral Music
CDA67601 

‘It is very good news that the music of Veljo Tormis has, in recent years, become the province of choirs from outside Estonia … [Holst Singers] their musical and linguistic virtuosity is more than proof that this music travels very well indeed … this collection covers quite a wide chronological range, covering Tormis's earlier phase … and his later works, deriving their essence from the folk traditions disappearing around him and herladed here by the unforgettable, incantatory first song of the cycle Liivlaste pärandus. It is this kind of writing that elicits of the Holst Singers' best work, totally involved, with a hugely impressive full-throated resonance but also capable of tremendous delicacy and poise’ (International Record Review)
1 January 1900

Tormis: Choral Music
CDA67601 

‘A beautifully prepared and executed compilation. Stephen Layton and his Holst Singers have a well deserved reputation as bold explorers, and their intelligence and dedication are evident here’ (Gramophone)
1 January 1900

Tormis: Choral Music
CDA67601 

‘These splendid performances highlight the music's elemental aspects (not just evocations of forces of nature but the spirit of the country, long suppressed by occupiers), the Holst Singers' commitment bringing out the ferocity of some passages with a quite scary intensity’ (BBC Music Magazine)
1 January 1900
The Daily Telegraph
Tormis: Choral Music
CDA67601 

‘After Arvo Pärt, Tormis is probably Estonia's most important living composer … here the Holst Singers under the indefatigable Stephen Layton explore this fascinating legacy, a mixture of arrangements of folk songs and original music inspired by the honesty and freshness of their idiom, in performances of characteristic spirit, atmosphere and incisiveness’ (The Daily Telegraph)
1 January 1900
The Times
Tormis: Choral Music
CDA67601 

‘Stephen Layton and his superlative choir deliver an inspiring programme of a capella choral works by the Estonian composer. The music springs from the East European folk tradition—rhythmic underlay, biting harmonies, melodies seemingly smoothed by time. The British choristers tackle these alien sounds with conviction, precision, passion, perfect tuning across the octaves and much variety of tone colour and dynamics. Exciting moments abound: the Livonian songs are wittily profound, the final chord of Heather is a golden climax, while Childhood memory proves that the choir harbours top soloists as well. It's hard to believe that they all have day jobs’ (The Times)
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