1 January 1900
The Guardian
Schumann: The Complete Songs, Vol. 11 - Hanno Müller-Brachmann
CDJ33111 

‘This is the final instalment of Hyperion's complete edition of Schumann's songs, the brainchild of pianist Graham Johnson, who has overseen and prepared the series with great erudition and care … the best songs are also the most disturbing: Der Einsiedler expresses an almost Mahlerian longing for the freedom from human strife that only solitude can bring … Johnson himself is faultless, as always’ (The Guardian)
1 January 1900
The Daily Telegraph
Schumann: The Complete Songs, Vol. 11 - Hanno Müller-Brachmann
CDJ33111 

‘Every time a new instalment of Graham Johnson's complete Schumann song recording appears, I'm eager to lay my hands on it. Each one sheds new light on well-loved masterpieces and brings wonderful neglected songs back to light. The singers are shrewdly chosen to fit the character of the songs, the liner notes are a treasure-trove of learning and insight, and Johnson's wonderful playing illuminates every song’ (The Daily Telegraph)
1 January 1900

Schumann: The Complete Songs, Vol. 11 - Hanno Müller-Brachmann
CDJ33111 

‘A real disc of discovery: this is Schumann as he is seldom heard. In this final volume of his revelatory Schumann Songs series, Graham Johnson perceptively writes about, accompanies and presents still more rarities, in the voices of both loyal colleagues and of younger singers whom he keenly champions … altogether touching and persuasive performances’ (BBC Music Magazine)
1 January 1900

Schumann: The Complete Songs, Vol. 2 - Simon Keenlyside
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‘No singer has sung them so beautifully or so naturally as Simon Keenlyside’ (BBC Music Magazine)
1 January 1900

Schumann: The Complete Songs, Vol. 2 - Simon Keenlyside
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‘The collaboration of Keenlyside and Johnson is so potent that after an hour one is still ready for more’ (Gramophone)
1 January 1900

Schumann: The Complete Songs, Vol. 2 - Simon Keenlyside
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‘The young English baritone's gorgeous timbre now sounds in prime condition and his understanding of the German Lied is second to none. His programme, too, is characteristically adventurous. Johnson, too, is deeply immersed in this music and his 82-page booklet is a collector's item’ (The Sunday Times)
1 January 1900
Hi-Fi News
Schumann: The Complete Songs, Vol. 3 - Juliane Banse
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‘Banse's enchanting purity of line and ability to shape this music with the subtlest of tonal and dynamic inflections are a constant source of pleasure. Hyperion's standards of presentation are typically faultless’ (Hi-Fi News)
1 January 1900

Schumann: The Complete Songs, Vol. 3 - Juliane Banse
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‘[Juliane Banse] is a born lieder interpreter. A must-buy for lieder lovers’ (The Sunday Times)
1 January 1900
The Daily Telegraph
Schumann: The Complete Songs, Vol. 3 - Juliane Banse
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‘An unqualified success … a glorious interpreter, warm-voiced and wholly in sympathy with the task in hand. The famous cycle Frauenliebe und Leben receives a peerless reading’ (The Daily Telegraph)
1 January 1900
The Guardian
Schumann: The Complete Songs, Vol. 3 - Juliane Banse
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‘The care that has gone into the literary and musicological side of the project is perfectly matched by the musical results. Banse proves to be a wonderfully perceptive interpreter. In every respect this is a wonderful Lieder disc’ (The Guardian)
1 January 1900
Classic FM Magazine
Schumann: The Complete Songs, Vol. 4 - Oliver Widmer & Stella Doufexis
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‘Schumann lovers are more in debt than ever to Hyperion’ (Classic FM Magazine)
1 January 1900

Schumann: The Complete Songs, Vol. 4 - Oliver Widmer & Stella Doufexis
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‘Excellent performances and recording offer superb advocacy of late songs by Schumann and, even more affecting, by Clara … This, the fourth offering of Hyperion Schumann, deserves to be celebrated on various counts: its expert programme-making, the extreme sensitivity of its performers (all three soloists and the London Schubert Chorale), and its advocacy of both late Schumann and of Clara, whose direct simplicity of utterance is so affecting’ (Gramophone)
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