‘Her voice combines ethereal radiance and clarity with resolute, unwavering focus. Johnson's account of the piano parts is superlative [and] his booklet notes are also exemplary—comprehensive, erudite, instructive—and deserve publication in their own right’ (BBC Music Magazine)

«Ah, l'heureuse surprise! Mlle Schäfer, par la toute simple éloquence du moindre mot, du moindre son, ignore l'obstacle purement et simple. Eblouissant» (Diapason, France)

‘A young singer on the threshold of a potentially great career … a born Lieder singer … her fresh bright tone is a consistent joy’ (The Sunday Times)

‘Royal's professed affinity for the Lieder repertoire is more than borne out by the recording of Schumann's Eichendorff Liederkreis—[she] gives us everything: hers is a beautifully sung and deeply flet rendition from beginning to end, her specific responses to the words and their meaning never, ever becoming intrusive—the ideal balance of what one wants in performances of this cycle’ (Fanfare, USA)

‘Volume 10 … has as its centerpiece a wonderful rendition by Kate Royal of Liederkreis, Ms Royal … again delivers a performance that is remarkable for its intelligence, musicianship, and sheer beauty’ (American Record Guide)

‘A stunning achievement for Kate Royal, and another well-deserved feather in the Hyperion cap as this enthralling series continues … Kate Royal tones down some of her interpretations to reflect the genuinely intimate and reflectively pensive music to great effect, lovingly adjusting her voice to the needs of each word … highest recommendation’ (Audiophile Audition, USA)

‘The program opens with the undervalued Liederkreis cycle … Royal infuses these brief intuitions of forest walks, foreign lands and a 'Moonlit Night' with a glowing musical poetry. Even the sparest, quietest songs hold a sense of vigor and wondrous apprehension’ (San Francisco Chronicle)

‘Much of the singing is exceptionally lovely … 'Waldegespräch' amply displays the dramatic flair one expects of a fine operatic artist … Johnson accompanies with his wonted sensitivity and his booklet notes are, as usual, exhaustive in their detail … the engineering is immaculate’ (International Record Review)

‘This wonderful disc feels like an intimate salon performance by a group of close friends … Liederkries is sung with devotion … by rising wonder-woman Kate Royal … glorious duetting from Lott and Murray, ensemble fun from all the singers and a glimpse of Schumann towards the end of his tragic life in the Mädchenlieder—you don't realise how much you're learning about the composer's genius until it's all over’ (Classic FM Magazine)

‘In the Liederkries, Kate Royal, discerningly partnered by Johnson, sings with pure, luminous tone and eloquent phrasing … there are many memorable things here, including a hushed, rapt Mondnacht, and a truly ecstatic final Frülingsnacht’ (The Daily Telegraph)

‘Royal's pure, pellucid tone, free-soaring top notes and refined musicianship give constant pleasure … abetted by Johnson's ever-sentient keyboard-playing, Royal reveals a true understanding of Schumann's Innigkeit … in the final 'Frülingsnacht', often rushed off its feet, she and Johnson catch the elusive mix of secretiveness and ecstasy as perfectly as I have heard’ (Gramophone)

‘This disc goes far to vindicating some of Schumann's least-favoured late songs, not least due to Graham Johnson's eloquent advocacy, in print and in performance’ (Gramophone)