1 January 1900
The Daily Telegraph
Schumann: Davidsbündlertänze, Kinderszenen, Sonata No 2
CDA67780 

‘Hewitt reveals a Romantic streak that is thoroughly in tune with the music … the G minor Sonata demands not only dexterity, power and finesse but also an insight into its mix of ardour and lyricism, all of which Hewitt harnesses in a performance that gloriously caps an exceptional recital’ (The Daily Telegraph)
1 January 1900

Schumann: Davidsbündlertänze, Kinderszenen, Sonata No 2
CDA67780 

‘Here from Angela Hewitt comes a disc to make us marvel anew at Schumann's Romanticism; at his troubled and ecstatic poetry. Everything is played as in the heat of first inspiration, a reflection, perhaps, of a recreative richness mirroring Hewitt's encompassing and versatile repertoire. Few pianists are so brilliantly alive to every passing fancy and whimsicality. And again, few performances could be less studio-bound, more fleet, hallucinatory and above all more deeply imaginative … this is revelatory Schumann-playing—something to cherish’ (Gramophone)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

Dichterliebe itself receives a splendid performance and in this collection Finley has plenty of opportunity to display his expressive range. Thus his seamless legato is deployed in Im wunderschönen Monat Mai, where he's supported by some delightfully delicate playing on the part of Julius Drake. By contrast the breathless enthusiasm of Aus meinen Tränen spriessen comes across convincingly. The song is over in a flash—but it's very well articulated. Wind forward to Ich grolle nicht where Finley's voice has all the grandeur and amplitude you could wish for. Then immediately he lightens his voice most effectively for Und wüssten's die Blumen, die kleinen’ (MusicWeb International)
1 January 1900
Hampstead and Highgate Express
Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘The immaculately musical Canadian singer Gerald Finley never disappoints … it ranks among the best of recent versions out on disc, with flawlessly supporting playing from the pianist Julius Drake’ (Hampstead and Highgate Express)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘Drake's accompaniment, so important in the long, often ironic or restorative postludes to many of these songs, scarcely falters, and always sustains with senstivity Finley's bold and unaffected singing’ (International Record Review)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘From the very start, the fingers of Julius Drake seem to be waking both Finley's baritone and the music itself from a long distant dream … this is a performance of a heavy and irreparably broken heart … Finley's performance gives huge pleasure and insight’ (BBC Music Magazine)
1 January 1900
Metro
Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘Finley is an unforgettable communicator on a grand scale, as anyone who has seen him at one of his frequent Royal Opera appearances knows. But on this disc, he proves himself equally memorable in the more intimate arena of the Lieder recital. That his voice is luxuriously warm, even and smooth almost goes without saying … his in-the-moment honesty is matched note-for-note by pianist Julius Drake, who partners him with a superb sense of drama and detail. It's a recital which can stand comparison with the greatest Schumann recordings’ (Metro)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘Finley wraps his handsome baritone round Schumann's lines in a way that takes you beyond the artistry to an inner emotional world … Finley and Drake take us on a journey that becomes more and more compelling with each song’ (Financial Times)
1 January 1900
Classic FM Magazine
Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘Acclaimed baritone Gerald Finley is both intelligent and gripping, and sings with a tone that has never sounded more luxurious. With in-the-moment honesty, he brings passion, longing, terror, love and bitterness to his interpretations, without ever losing sight of his overall emotional journey. Accompanist Julius Drake partners him with a superb sense of drama and detail’ (Classic FM Magazine)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘[Finley] is in his prime. He brings eloquence to the text and maturity to his interpretations … an outstanding disc’ (The Sunday Times)
1 January 1900
The Daily Telegraph
Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘Gerald Finley's burnished baritone is one of the most beautiful voices to have recorded the cycle … a glorious Schumann recital from a singer and pianist in true, symbiotic partnership’ (The Daily Telegraph)
1 January 1900

Schumann: Dichterliebe & other Heine Settings
CDA67676 

‘In close collusion with the ever-sentient Julius Drake, Gerald Finley gives one of the most beautifully sung and intensely experienced performances on disc of Schumann's cycle of rapture, disillusion and tender regret … a glorious Schumann recital’ (Gramophone)
More