‘Very agreeable music of the Romantic era, well constructed and melodious. Highly recommended’ (International Record Review)

‘All in all, if you're curious about this repertoire, I'd recommend you turn to the Hyperion series. This latest installment is as good a place as any to start’ (Fanfare, USA)

‘Pianist-conductor Howard Shelley … delivers very fine and sensitive performances on a Steinway piano. This recorded is a valuable addition for listeners interested in building their collection of nineteenth-century concertos or in tracing the history of the genre’ (Nineteenth-Century Music Review)

‘Directing the performances from the keyboard, Shelley takes every prestidigitational hurdle with immaculate precision and aristocratic aplomb. He displays an exemplary range of touch and fluidity, communicates an intense pleasure in the music and indeed seems to revel in its abundant charm. The recording is of the same excellent standard as previous releases in this series. Listeners who have already enjoyed the other Moscheles concertos will not hesitate; if you haven't, this is a good place to start’ (International Record Review)

‘Imagine Paganini's Rossinian verve, Schumann's poetic sensibility and Mendelssohn's gentle humanity rolled into one, and you won't be far from the sound-world of these wonderful concertos’ (Classic FM Magazine)

‘You have to hand it to Howard Shelley. It's one thing to lead a concerto from the keyboard, but to do this when the solo part is so demanding and with such insouciance is quite another thing … Completed by Henry Roche's trenchant and engaging booklet notes, this is an issue which I cannot praise too highly’ (Gramophone)

‘This disc is the most impressive installment in Hyperion's Romantic Concerto Series; superb and most beautifully recorded and played’ (MusicWeb International)

‘This disc is yet another jewel in Hyperion's star-studded crown … enjoyable from start to finish—a disc well worth having’ (The Strad)

‘Tasmin Little's idiomatic advocacy of all three works belies the fact that none could be described as standard repertoire … handsomely produced and well recorded, this issue makes three very welcome additions to the repertoire’ (BBC Music Magazine)

‘Tasmin Little displays an invitingly warm, slender tone and broad dynamic range, very much in keeping with the style of this music. Her intonation and bowing are impeccable: the considerable difficulties of Moszkowski's finale hold no terrors for her’ (Fanfare, USA)

‘One of my discs of the year’ (Classic FM Magazine)

‘Tasmin Little's flamboyant performance of this breathtaking display piece should be counted a jewel in her already distinguished discography’ (International Record Review)