‘Both the music and performances on this disc will stimulate anyone with more than a passing interest in violin music and its performance’ (The Irish Times)

‘The soloist, Elizabeth Wallfisch, strikes a balance between ebullience and refinement. She makes a sweet sound’ (The Evening Standard)

‘Wallfisch endows the music with the virtuosity and quasi-improvisatory immediacy that is the essence of this tradition … plenty of pizzazz … these concertos never fail to captivate’ (San Francisco Chronicle)

‘In every way this disc is superior to any Tartini recording I've ever heard: the soloist is in breathtaking form … in the quiet repose sometimes offered by the slow movements she and her wonderful continuo team are as eloquent as can be. One of my favourite discs this month’ (Early Music Review)

‘This is without question one of the finest records of baroque music ever issued! … a revelation … enthralling and hugely important. A wonderful issue’ (CDReview)

‘Compelling’ (Classic CD)

‘Superb’ (Organists' Review)

‘I found this recording a pure delight’ (Gramophone)

‘Marvellous music … well worth reissuing’ (Early Music Review)

‘These reissues epitomise the qualities that make The Sixteen one of Britain's outstanding choral groups: distilled purity of sound: impeccable ensemble and intonation; long-breathed lines. Harry Christophers takes an introspective view of Taverner's monumental Missa Gloria tibi Trinitas, producing a performance of untrammelled serenity’ (BBC Music Magazine)

‘Marvellous music … well worth reissuing’ (Early Music Review)

‘These reissues epitomise the qualities that make The Sixteen one of Britain's outstanding choral groups: distilled purity of sound: impeccable ensemble and intonation; long-breathed lines. Harry Christophers takes an introspective view of Taverner's monumental Missa Gloria tibi Trinitas, producing a performance of untrammelled serenity’ (BBC Music Magazine)