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Track(s) taken from CDJ33003

Abschied, D475

First line:
Über die Berge zieht ihr fort
September 1816; published in 1885
author of text
poem originally titled Lunz

Dame Ann Murray (mezzo-soprano), Graham Johnson (piano)
Recording details: November 1988
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell
Release date: December 1989
Total duration: 5 minutes 35 seconds

Other recordings available for download

Florian Boesch (baritone), Roger Vignoles (piano)


‘This persuasive disc is faultlessly recorded’ (Gramophone)

‘We await more with enthusiasm and admiration’ (American Record Guide)

‘For me this represents some of the finest Lieder singing on record’ (CDReview)

‘Ann Murray's singing is flawless’ (Music and Musicians)

‘Simply superb’ (San Francisco Chronicle)

‘In Ann Murray we have a worthy successor in the Ferrier/Baker line, a lovely voice used with great sensitivity’ (Which CD)
Mayrhofer's poem is entitled Lunz which is a village in Lower Austria whither the poet had travelled on a walking tour in 1816. The pilgrim's aria on which the song is said to be based has never been traced, although we can hear the echoing resonances of phrases sung across the mountains by the travellers, and the wonderful effect of alphorn harmonies merging into each other. The poet's concept of parting and decay has something in common with Collin's Wehmut (Volume 5). Using the simplest strophic means Schubert elevates the poet's not extremely original text into a universal hymn; this musical journey crosses the bar (as Tennyson has it) into new spiritual realms. Fischer-Dieskau has pointed out the similarity of the introduction to the prisoners' 'schnell schwindest du uns wieder' from Fidelio, which is also a type of farewell. I am reminded of the rainbow of descending chords which open the slow movement of Brahms's F minor Piano Sonata; others hear Mahler in this song, with its surprisingly modern chain of chords in introduction and postlude. The whole piece certainly has a folksy nostalgia which puts one in mind of the mood of some of that composer's Des Knaben Wunderhorn songs. As always Schubert is a Janus, looking backwards to his revered models and anticipating new developments much more than is usually allowed by the music historians.

from notes by Graham Johnson © 1989

Other albums featuring this work

Schubert: Der Wanderer & other songs
Studio Master: CDA68010Studio Master FLAC & ALAC downloads available
Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price) — Download only
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