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Clarifica me, Pater

author of text
Canticle Antiphon at Lauds on Monday or Tuesday of Holy Week

The four-voice Clarifica me Pater by Giovanni Giorgi is an extended setting divided into two partes of the short antiphon for the canticle of Lauds on Tuesday of Holy Week; the Vila Viçosa source places it as an Offertory motet for the Monday. Giorgi, identified as João Jorge in Portuguese sources, came to Lisbon from Rome in about 1725 and had an active role in the Italian domination of music in Lisbon at the time. Unlike most of his music which, in the current style, used instrumental accompaniment and interludes, this motet is a freely-developed imitative piece in a stile antico dressed in an eighteenth-century harmonic idiom, often with changing harmonies over an anchoring pedal point, and characterized by long melismas on prominent vowels. A contrast to the continuous imitation is a passage with repeated homophonic injunctions of ‘apud te’ (thus – curiously – treating the first syllable of the word ‘temetipsum’ separately) for dramatic emphasis.

from notes by Bernadette Nelson © 1996


Holy Week at the Chapel of the Dukes of Braganza
CDA66867Archive Service


Track 10 on CDA66867 [5'14] Archive Service

Track-specific metadata for CDA66867 track 10

Recording date
4 February 1996
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tony Faulkner
Hyperion usage
  1. Holy Week at the Chapel of the Dukes of Braganza (CDA66867)
    Disc 1 Track 10
    Release date: September 1996
    Deletion date: October 2007
    Archive Service
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