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Kyrie, Gott Vater in Ewigkeit, BWV669

1739; Clavier-Übung III, Liepzig

Then follows three large settings of the Kyrie-Christe-Kyrie, from the Mass, that are set in a similar contrapuntal style, in the more austere stile antico. In all three settings, there is continuity with the opening Prelude, in the three flats of the key signatures. Each presents the plainsong melody of the text in different parts of the texture: BWV669 gives it in the soprano.

from notes by George Parsons © 2020


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