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The Concertino dates from 1955 and is in three movements: a genial ‘Allegro moderato’, a characteristic Romanza (‘Poco adagio’), and an effervescent Rondo (‘Vivace’) finale, the theme given out in running octaves interrupted towards the end by a ‘Poco adagio’ interlude which provides a characteristic reflective moment before the rush to the throw-away end. It is in the Romanza that we find one of Milford’s most characteristic moments, a delightful tune in 12/8 first announced by the piano and then sung by the strings. Yet below its quiet surface there lurks a passionate vision, the fifth bar being marked ‘appassionato’ as the piano right-hand octaves rise above the stave. Later the movement rises to a warmly sonorous climax with the return of the opening theme, now richly harmonised.
from notes by Lewis Foreman © 2002
'Altogether this is a wholly delectable disc of spirited miniature concertos where the composers are never let down by paucity of invention. Performan ...
'Roscoe and the Guildhall Strings have put together an attractive collection here' (American Record Guide)» More