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The brief opening tutti recurs five times, framing a series of episodes in which the soloists cavort in athletic competition, accompanied at first only by the lowest sackbuts and then by the other members of the ten-part band in a subtle display of cumulative orchestration. Gabrieli seems to invent the ethos of the Vivaldian double-violin concerto, over a century before its time.
from notes by Timothy Roberts © 1997
|A New Venetian Coronation, 1595|
With cornetts, sackbuts and an all-male consort, Paul McCreesh, the Gabrieli Consort's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original ...» More
|Gabrieli (G): Sacrae Symphoniae|
‘This superb disc … is the very essence of La Serenissima. Masterly performances, alive with authentic detail’ (BBC Music Magazine)
‘Excellent. The playing is fluent and exhilarating. An excellent recording. The notes are exemplary’ (Classic CD)» More