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The harmony is consistently bright, based almost entirely on major chords, and Gabrieli’s feeling for contrasts of key seems remarkably modern; the ‘white-note’ harmony of the mode is punctuated by four cadences in the ‘dominant’, G major, and a delightful sprinkling of more distant major chords: B flat, D, A and E major.
from notes by Timothy Roberts © 1997
|Gabrieli (G): Sacrae Symphoniae|
‘This superb disc … is the very essence of La Serenissima. Masterly performances, alive with authentic detail’ (BBC Music Magazine)
‘Excellent. The playing is fluent and exhilarating. An excellent recording. The notes are exemplary’ (Classic CD)» More