Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
It was Jean-Louis Barrault in 1967 who asked me to write the music for Medea of Seneca for Maria Casares’ Medea in a stage version of Jorge Lavelli with the Ensemble of Musique Vivante under the direction of Diego Masson for the Théâtre de l’Odéon in Paris.
I hesitated because I knew Seneca as a pseudo-philosopher, an imperial courtier, and above all a Roman who sought, like all the Romans of that period, to emulate the ancient Greek masterpieces.
But in reading the Latin text written in the first century ad I was seduced by its violent sonority, its barbarity, and so I agreed. I used a chanted male chorus, to preserve the sonority of the Latin particularly in verses 301 to 379. These verses relate the story of the maritime journey of the Argonauts, hence the stones—symbol of the virgin sea [‘stones’ is a reference to the rocks that guarded the entrance to the Euxine Sea by clashing against each other when anything passed between them]. This, however, is only a very small part of the Medea of Seneca which consists of a total of 1,027 verses.
from notes by Nouritza Matossian © 1998
extrait des notes rédigées par Nouritza Matossian © 1998
aus dem Begleittext von Nouritza Matossian © 1998
Deutsch: Wendy Geddert
|Xenakis: Choral Music|
‘Nothing short of phenomenal. Here is one of the 20th century's most important musical voices, and this recording does that voice full justice’ (Gramo ...
‘Quite dazzling … these performers make this music mythically awesome and hypnotically accessible’ (Choir & Organ)» More