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Bone Palace ballet

composer

 
While writing Bone Palace ballet, I was preoccupied with questions around how and why we document human experience. The title is borrowed from Charles Bukowski, whose eponymous poem seeks to make sense of 'this dusty dream'. In the piece itself I allude to one of the earliest recordings of music known to exist—a performance of Handel’s Israel in Egypt featuring an orchestra of 500 musicians and a 4,000-strong choir, captured on wax cylinder inside Crystal Palace in 1888. The music is buried deep underneath considerable surface noise, giving the recording a ghostly quality I find exquisitely poetic.

from notes by Alex Roth © 2020

Recordings

The Panufnik Legacies, Vol. 3
Studio Master: LSO5092-DDownload onlyStudio Master FLAC & ALAC downloads available

Track-specific metadata for LSO5092-D track 5

Artists
ISRC
GB-DGQ-19-09205
Duration
4'25
Recording date
27 April 2019
Recording venue
Jerwood Hall, LSO St Luke's, London, United Kingdom
Recording producer
Jonathan Stokes
Recording engineer
Neil Hutchinson
Hyperion usage
  1. The Panufnik Legacies, Vol. 3 (LSO5092-D)
    Disc 1 Track 5
    Release date: May 2020
    Download only
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