Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

String Quartet No 8 in E major, Op 80

20 January to 4 February 1876

Written in Jan-Feb 1876, on the brink of his international career, then revised and published more than ten years later (hence its late opus number: it was originally designated Op 27), this quartet is often thought an important breakthrough in Dvořák’s chamber music.

The opening Allegro starts in quasi fugal style with uncertain tonality, creating a somber atmosphere that rarely disappears during this long, ambitious work. The opening idea is periodically interrupted by quasi-orchestral textures, with much double stopping, as if straining at the restrictions of the string quartet medium; but then the principal second theme, in the relative minor, adumbrates with its distinctive dotted rhythms a Schubertian lyricism The usual sonata-form repetitions take place, but the formal joins are always blurred to give a sense of continuous development. At the end, in a characteristic Dvořák coda, the main theme returns very high on the first violin, perhaps suggesting peace at the last.

The second movement, Andante con moto, is a so-called dumka, a Slavic lament that is usually in duple time but here is in 3/8. Its characteristic ornaments sound improvisatory and the mood is maintained by a second theme that later acquires a chorale-like simplicity. At the close, the first theme returns only to fade into the distance.

The third movement, Allegro scherzando, is full of rhythmic shocks and reversals. Its main theme, although very different in mood, bears more than a passing resemblance to the opening theme of the first movement, perhaps an example of Dvořák’s penchant for cyclic forms. The Trio section is, in good classical style, strongly contrasting: a driven, almost obsessive exploration of the relative minor.

The last movement, an Allegro con brio, begins with an extended viola solo: an energetic, questioning, upward-leaping melody which, like passages in the first movement, seems often to be straining for orchestral effects. Almost Bartókian moments, with the violins in octaves seemingly in open opposition to the viola and cello, contrast with passages reminiscent of a Mendelssohnian scherzo, ending the quartet in an atmosphere of boisterous virtuosity.

from notes by Roger Parker © 2020


Dvořák: String Quartets Nos 8 & 10
Studio Master: SIGCD597Download onlyStudio Master FLAC & ALAC downloads available


Movement 1: Allegro
Track 1 on SIGCD597 [8'41] Download only
Movement 2: Andante con moto
Track 2 on SIGCD597 [6'49] Download only
Movement 3: Allegro scherzando
Track 3 on SIGCD597 [4'53] Download only
Movement 4: Finale: Allegro con brio
Track 4 on SIGCD597 [7'11] Download only

Track-specific metadata for SIGCD597 track 3

Allegro scherzando
Recording date
17 May 2018
Recording venue
Britten Studio, Snape Maltings, Aldeburgh, United Kingdom
Recording producer
Nicholas Parker
Recording engineer
Mike Hatch
Hyperion usage
  1. Dvořák: String Quartets Nos 8 & 10 (SIGCD597)
    Disc 1 Track 3
    Release date: February 2020
    Download only
Waiting for content to load...
Waiting for content to load...