Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Piano Sonata No 1, Op 12


On 20 February 1927 Prokofiev, during his first return visit to Russia since leaving his homeland in 1918, was invited to hear compositions by some rising young composers. Among them was the twenty-year-old Shostakovich. Prokofiev wrote afterwards in his diary: 'Quite a young man, not only a composer but also a pianist. He played by heart and with panache, having passed me the score to peruse as I sat on the sofa. His Sonata opened with a vigorous Bach-like two-voice counterpoint, and the second movement, which followed without a break, is written with supple harmonies surrounding an interior melody … it was altogether so much more lively and interesting than Schillinger’s piece [played previously] that I am quite happy to start praising Shostakovich. Asafiev [a musicologist and friend of Prokofiev’s] laughs at me, saying I like Shostakovich so much because the first movement is so clearly influenced by me.'

There is indeed a distinct echo in Shostakovich’s first piano sonata from the opening of Prokofiev’s third piano sonata, composed in 1917 but itself based on an earlier work Prokofiev composed aged 16. There are hints, too, of Prokofiev’s penultimate Vision fugitive, itself inspired by the street fighting during the February 1917 Revolution. It is altogether one of Shostakovich’s most ferocious works, and amply demonstrates the young pianist-composer’s ambition. Indeed, Shostakovich was already seen as one of the brightest hopes of Soviet music: in just the previous year he had been unanimously accepted on the Leningrad Conservatory’s post-graduate composition course, aged 19, having already composed his first symphony—the work which in May 1927 was to receive its first Berlin performance conducted by Bruno Walter and then subsequently taken up by Toscanini and Klemperer. His promise as a pianist was virtually on the same level: only a month before his first encounter with Prokofiev, Shostakovich had participated in the first Chopin Piano Competition in January 1927, in which he reached the finals; and his repertoire encompassed such virtuosic works as Liszt’s Venezia e Napoli and Beethoven’s 'Hammerklavier'.

In his compositions Shostakovich, after mastering the orthodox nationalist style of Borodin and Rimsky-Korsakov in his earliest orchestral works, had quickly shown a rebellious streak. To the dismay of both his composition teacher Maximilian Steinberg (Rimsky-Korsakov’s son-in-law) and his piano teacher Leonid Nikolayev, Shostakovich increasingly turned for inspiration to such leading modernists as Stravinsky and Prokofiev. Nikolayev was distinctly unimpressed with Shostakovich’s Op 12, calling it 'a sonata for metronome to the accompaniment of piano'. It is, of course, far more than that, but it is unquestionably a gnarly and knotty work for both performer and listener. It starts with a by turns nervy and thunderous allegro, eventually arriving at a rumbling tremulando in the bass punctuated with pugnacious note clusters. Then follows a lento in which an alto melody is picked out, sandwiched amid what Prokofiev described as 'supple harmonies' (here one may suspect the lingering influence of Scriabin, notwithstanding the fact his work was much reviled by Shostakovich in public). This leads without a break into a concluding allegro, boiling upwards from the bass like a malevolent spirit (and surely recalled by Prokofiev in turn in his eighth piano sonata composed during World War II).

from notes by Daniel Jaffé © 2017


Shostakovich: Piano Concertos & Sonatas
Studio Master: SIGCD493Download onlyStudio Master FLAC & ALAC downloads available


Track 1 on SIGCD493 [12'21] Download only

Track-specific metadata for SIGCD493 track 1

Recording date
11 December 2015
Recording venue
Snape Maltings, Suffolk, United Kingdom
Recording producer
Nicholas Parker
Recording engineer
Robin Hawkins
Hyperion usage
  1. Shostakovich: Piano Concertos & Sonatas (SIGCD493)
    Disc 1 Track 1
    Release date: October 2017
    Download only
Waiting for content to load...
Waiting for content to load...