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Approaching this work, I attempted to create a sense of simultaneity of different musical materials through a process of juxtaposition. I began by adapting several of the different Permutations characters into solo material, and expanding on them in this capacity.
While testing material for Permutations in various different acoustics, Andrew and Finbarr recorded me playing the violin in various acoustic settings. For these acoustic experiments, I improvised around the melody which became one of the central themes of both Permutations and Unveil. When writing Unveil, I went back to many of these improvisations to notate them and weave the material into the fabric of the new solo piece. I treated them as the opening of the work, while using the other themes to form a cumulative collage of material leading the listener gradually away from the melodic line. I imagined each of the characters as different interweaving pathways around a central thread, that would eventually fall away to reveal, or unveil, the melody in its original form.
from notes by Freya Waley-Cohen © 2016