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Noe, noe, genuit puerpera

author of text
Antiphon for the Solemnity of Mary

In Noe, noe, genuit puerpera the imitative delivery of the text is punctuated by exclamations of ‘Noe, noe’, sometimes by a single voice in a brief declamation, sometimes in an extended melisma, and occasionally forming a small point of imitation in itself. This use of the festive expostulation is part of a tradition that can be seen in motets and chansons by Jacob von Brouck, Jan Pieterszoon Sweelinck and the poet Clément Marot.

from notes by David Gostick © 2017

Dans Noe, noe, genuit puerpera l’énonciation du texte est ponctuée par les exclamations de «Noe, noe», parfois par une seule voix dans une brève déclamation, parfois dans un mélisme étendu, et formant de temps à autre un petit point d’imitation en lui-même. Cette utilisation de la remontrance festive relève d’une tradition que l’on retrouve dans les motets et chansons de Jacob von Brouck, Jan Pieterszoon Sweelinck et du poète Clément Marot.

extrait des notes rédigées par David Gostick © 2017
Français: Marie-Stella Pâris

In Noe, noe, genuit puerpera ist die imitative Faktur mit „Noe, noe“-Ausrufen durchsetzt—zuweilen von einer einzelnen Stimme in kurzer Deklamation, zuweilen in längeren Melismen, wobei diese mitunter selbst zu Imitationspunkten werden. Diese Art von feierlichen Vorhaltungen reiht sich in eine Tradition ein, die in Motetten und Chansons von Jacob von Brouck, Jan Pieterszoon Sweelinck und dem Dichter Clément Marot zu beobachten ist.

aus dem Begleittext von David Gostick © 2017
Deutsch: Viola Scheffel


Guyot: Te Deum laudamus & other sacred music
Studio Master: CDA68180Studio Master FLAC & ALAC downloads available


Track 13 on CDA68180 [4'08]

Track-specific metadata for CDA68180 track 13

Recording date
8 May 2016
Recording venue
Kartause Mauerbach, Vienna, Austria
Recording producer
Adrian Peacock
Recording engineer
Markus Wallner
Hyperion usage
  1. Guyot: Te Deum laudamus & other sacred music (CDA68180)
    Disc 1 Track 13
    Release date: May 2017
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