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Gloria a 3

composer
3vv
author of text

 
The Gloria avoids the eccentric chromaticism but sometimes surpasses the Credo (which precedes it in the Old Hall Manuscript) in rhythmic complexity—see, for example, the second ‘Qui tollis’ where in the manuscript the composer supplemented the normal black and red with blue notation in order to indicate his intentions.

from notes by Gareth Curtis © 2017

Le Gloria qui suit évite le chromatisme excentrique mais surpasse parfois le Credo en complexité rythmique—voir, par exemple, le deuxième «Qui tollis» où le compositeur a complété l’habituel noir et rouge avec une notation bleue afin d’indiquer ses intentions.

extrait des notes rédigées par Gareth Curtis © 2017
Français: Marie-Stella Pâris

Im darauffolgenden Gloria wird exzentrische Chromatik vermieden, jedoch übertrifft es das Credo zuweilen, was rhythmische Komplexität anbelangt—wie zum Beispiel beim zweiten „Qui tollis“, wo der Komponist die übliche schwarze und rote Tinte mit blauer Notation ergänzte, um seine Intentionen anzuzeigen.

aus dem Begleittext von Gareth Curtis © 2017
Deutsch: Viola Scheffel

Recordings

Beneath the northern star
Studio Master: CDA68132Studio Master FLAC & ALAC downloads available

Details

Track 13 on CDA68132 [4'22]

Track-specific metadata for CDA68132 track 13

Artists
ISRC
GB-AJY-17-13213
Duration
4'22
Recording date
24 September 2015
Recording venue
Parish Church of St John the Baptist, Loughton, Essex, United Kingdom
Recording producer
Mark Brown
Recording engineer
David Hinitt
Hyperion usage
  1. Beneath the northern star (CDA68132)
    Disc 1 Track 13
    Release date: March 2017
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