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Abschied von der Harfe, D406

First line:
Noch einmal tön’, o Harfe,
March 1816; first published in 1887 in the Peters Edition
author of text

The minstrel and his harp are a rich theme in Schubert songs. The Ossian songs were published with a vignette which showed the old Celtic minstrel with a harp. The werewolf is killed by a harp, no less, in Der Liedler. The angry bard of Der zürnende Barde asks who dares to destroy his instrument. We meet the harp in its antique form in An die Leier, and the old minstrel who goes with his harp into the wood to sing his swansong in Nachtstück has surely some of Schubert's greatest music. We meet the zither as the minstrel's accompanying instrument in Des Sängers Habe and of course the lute is to be found not only in An die Laute but also in Die schöne Müllerin. We assume that the troubadours in Der Sänger and Die drei Sänger also played the harp.The most famous of the harp songs, those to Goethe texts from Wilhelm Meister, are heard later in this recital.

This is one of the earliest example of Schubert giving the piano a harp-like accompaniment. Flowing semiquavers are underpinned by minims with curious grace-note upbeats which go some way to simulate the sound of the plucked lower strings of the harp. The tune, in E minor, is gently melancholic and somewhat reminiscent of Mozart's Das Lied der Trennung K519. The descending bass line at 'verhalle zart und leise' exactly mirrors in harmonic terms the idea of a tune fading away; the lift of anguish under 'Schwanenweise' (E—E sharp—F sharp in the bass) suddenly takes the music into realms of the unknown—exactly where the poem is also straying. This is a curiously austere song, difficult to sing, but it has a haunting quality.

from notes by Graham Johnson © 1995


Schubert: The Complete Songs
CDS44201/40Boxed set + book (at a special price) — Download only
Schubert: The Hyperion Schubert Edition, Vol. 23 - Christoph Prégardien
CDJ33023Archive Service; also available on CDS44201/40


Track 5 on CDJ33023 [2'01] Archive Service; also available on CDS44201/40
Track 15 on CDS44201/40 CD13 [2'01] Boxed set + book (at a special price) — Download only

Track-specific metadata for CDS44201/40 disc 13 track 15

Recording date
17 September 1994
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 23 - Christoph Prégardien (CDJ33023)
    Disc 1 Track 5
    Release date: May 1995
    Deletion date: March 2012
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 13 Track 15
    Release date: October 2005
    Deletion date: July 2021
    Boxed set + book (at a special price) — Download only
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