Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Der Entfernten, D350

First line:
Wohl denk’ ich allenthalben
1816 (?); first published in 1885 in volume 7 of the Peters Edition
author of text

This is a song of the purest, albeit modest, enchantment. Who but Schubert could have written it—except perhaps Mozart? If Papageno had been a slightly more literate creature and had been gifted with a more reflective nature he might have sung this (in the Zauberflöte key of E flat) to describe his dream of a perfect wife. The poem (written in 1789) is contemporary with Mozart, and Reed points out it is an early version of the pervasive 'Ich denke dein' theme in German poetry of the period. The song's rhythm is a flowing 6/8, and the accompaniment ripples along in even triplets except for some semiquavers at the end. A note of longing and melancholy, no more than a soupçon, is injected into the song almost at the very beginning by the addition of a passing D flat into the harmony which temporarily pulls the song into a darker, flatter tonal region in the first full bar. Note the pretty little modulation on 'Morgengoldes' in the middle section (an A natural instead of an A flat in the piano part allows in a beam of morning light). The setting of 'umschwebst du mich' is also masterly. In the vocal line, flowing quavers give way to four dotted crotchets poised high and low on the stave ('umschwebst' is set on two notes a drop of a seventh apart) as if to trace the flight path of the floating vision. This is followed, almost in the Italian style, by a veritable stream of non-stop quavers (on 'o holdes, geliebtes Traumgesicht', repeated) which paints the ecstasy the singer feels in fancying that he sees love's apparition. Simplicity and unanswerable charm are hallmarks of the Salis-Seewis settings of which this song is a fine example. On the grounds of its purely musical merits one can see why J P Gotthard, its first publisher, succumbed to the temptation to issue Der Entfernten as a piano piece.

from notes by Graham Johnson © 1995


Schubert: The Complete Songs
CDS44201/40Boxed set + book (at a special price) — Download only
Schubert: The Hyperion Schubert Edition, Vol. 23 - Christoph Prégardien
CDJ33023Archive Service; also available on CDS44201/40


Track 3 on CDJ33023 [2'12] Archive Service; also available on CDS44201/40
Track 8 on CDS44201/40 CD13 [2'12] Boxed set + book (at a special price) — Download only

Track-specific metadata

Click track numbers above to select
Waiting for content to load...
Waiting for content to load...