Praise, my soul, the King of heaven – Praise, my soul - Hyperion Records

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Praise, my soul, the King of heaven – Praise, my soul

First line:

Praise, my soul, the King of heaven

composer

Sir John Goss (1800-1880)

arranger

Stephen Cleobury (1948-2019)

author of text

Henry Francis Lyte (1793-1847)

The words are by Henry Francis Lyte (1793–1847), a Scotsman who became a prize-winning poet and perpetual curate of Lower Brixham, Devon. It appeared in his The Spirit of the Psalms (1834). The tune was written for it by Sir John Goss (1800–80), organist of St Paul’s cathedral and a leading Victorian composer of church music. He published it in 1869 in its present form as an early example of varied hymn harmonization, except for the last verse, which has been reharmonized here and a descant added.

Le texte est de Henry Francis Lyte (1793-1847), poète écossais couronné de prix et vicaire perpétuel de Lower Brixham, dans le Devon. Il apparut dans son recueil The Spirit of the Psalms (1834). Sir John Goss (1800-1880), organiste de la cathédrale Saint-Paul et important compositeur de musique d’église de la période victorienne, écrivit la musique sur ces paroles. Il la publia en 1869 dans sa forme présente, exemple précoce d’une harmonisation variée, sauf pour la dernière strophe, qui est ici réharmonisée avec l’ajout d’un contre-chant.

extrait des notes rédigées par Nicholas Temperley © 2016
Français: Dennis Collins

Der Text stammt von dem Schotten Henry Francis Lyte (1793–1847), der zum preisgekrönten Dichter und Kurator auf Lebenszeit von Lower Brixham, Devon, wurde, und erschien in seiner Sammlung The Spirit of the Psalms (1834). Die Melodie dazu schrieb Sir John Goss (1800–1880), Organist an der St. Paul’s Cathedral und in viktorianischer Zeit ein führender Komponist von Kirchenmusik. In ihrer vorliegenden Form veröffentlichte er die Weise 1869 als frühes Beispiel für eine variierte Kirchenlied-Harmonisation, nur die letzte Strophe wurde hier neu harmonisiert und um eine Diskantstimme ergänzt.

aus dem Begleittext von Nicholas Temperley © 2016
Deutsch: Ursula Wulfekamp

Recordings

Hymns from King's

King's College Choir Cambridge, Sir Stephen Cleobury (conductor)

Studio Master: KGS0014Download onlyStudio Master FLAC & ALAC downloads available

Hymns from King’s is a collection of hymn arrangements by Stephen Cleobury from the Edition Peters book of the same name. Covering the entire church year, the album contains arrangements, accompaniments and descants for some of the world’s most po ...» More

Praise my soul

Jesus College Choir Cambridge, Richard Pinel (conductor)

Studio Master: SIGCD545Download onlyStudio Master FLAC & ALAC downloads available

Subtitled 'Favourite hymns from Jesus College Cambridge', this programme celebrates the rich and living tradition of hymnody through the exalted voices of the college's two chapel choirs and the thunderous voicings of the 2007 Kuhn organ.» More

Praise to the Lord

St Paul's Cathedral Choir, John Scott (conductor), Christopher Dearnley (organ)

CDH55036

‘Exemplary’ (Gramophone)» More

Rejoice, the Lord is king!

Westminster Abbey Choir, James O'Donnell (conductor), Robert Quinney (organ)

Studio Master: CDA68013Studio Master FLAC & ALAC downloads available

Westminster Abbey rings with the voices of the choir and organ lifted in the great hymns which are a vital part of our national character and history. The recording brings the experience of Abbey occasions—from royal weddings to state funerals—int ...» More

The English Hymn, Vol. 2 - Jerusalem the Golden

Wells Cathedral Choir, Rupert Gough (organ), Malcolm Archer (conductor)

CDP12102

‘Delivered with crisp, evocative conviction’ (Classic FM Magazine)» More

The Hymns Album, Vol. 2

Huddersfield Choral Society, Gregory Batsleer (conductor), Christopher Stokes (organ)

Studio Master: SIGCD572Download onlyStudio Master FLAC & ALAC downloads available

A new collection of hymns from the internationally renowned Huddersfield Choral Society, including modern 'classics' and ranging back through the Vaughan Williams revival to tunes having their origins in the German Baroque.» More