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This brief eucharistic motet—technically not a motet but a polyphonic setting of the first verse of a hymn text—has long been a favourite, though since its publication in Pedrell’s complete edition of Victoria’s work early in the twentieth century the scholar von May has asserted that it is not in fact by Victoria. Despite its doubtful authorship it stands as a perfect little example of the art of Renaissance polyphony.

from notes by Collegium Records © 1995


Images of Christ
COLCD124Download only
The Sacred Flame
COLCD134Download only


Track 13 on COLCD134 [1'51] Download only
Track 17 on COLCD124 [1'40] Download only

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