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Quatre poèmes de Max Jacob

composer
1921
author of text

 
The Quatre poèmes de Max Jacob, composed in 1921, show Poulenc at his most avant-garde. To the already edgy ensemble of flute, oboe, clarinet, bassoon and trumpet Poulenc adds lines of dissonant counterpoint punctuated by knotty chords, to the point that two years later he claimed to have burnt the manuscript of a work ‘lost in the polytonality and other rubbish of the style of 1920’. On the other hand, at their first performance in January 1922 the songs were encored. One critic, interpreting them as ‘a kind of derision or coldly mystifying parody of all the known forms of musical pathos’, thought they might restore the precision and clarity of the French composers of the past; another, wondering whether all this dissonance would in its turn become the norm, and eventually old hat, admitted that ‘at least his work contains music, colour and life.’ A single copy of the manuscript survived in the archives of Darius Milhaud, who conducted the premiere, and the songs were not finally published until 1998.

from notes by Roger Nichols © 2011

Recordings

Poulenc: The Complete Songs, Vol. 5
Studio Master: SIGCD333Download onlyStudio Master FLAC & ALAC downloads available

Details

No 1: Est-il un coin plus solitaire
Track 12 on SIGCD333 [2'29] Download only
No 2: C'est pour aller au bal
Track 13 on SIGCD333 [1'09] Download only
No 3: Poète et ténor
Track 14 on SIGCD333 [2'16] Download only
No 4: Dans le buisson de mimosa
Track 15 on SIGCD333 [1'00] Download only

Track-specific metadata

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