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In nomine all'ungherese

composer
2001; from Signs, Games and Messages

 
‘In nomine all’ongharese’ (2001) was Kurtág’s contribution to a festoon of pieces commissioned for the festival of new chamber music at Witten, all based on the polyphonic model that had stimulated English composers from Taverner to Purcell. Kurtág’s meditation, originally for cor anglais, must bear some hidden relation to that source, but the second part of the title is more in evidence, as the line moves through steps worn smooth by Hungarian folk song—ultimate source and ultimate standard for this composer, as for Bartók.

from notes by Paul Griffiths © 2015

Recordings

Soli - Bartók, Kurtág, Benjamin, Penderecki
Studio Master: SIGCD416Download onlyStudio Master FLAC & ALAC downloads available

Details

Track-specific metadata for SIGCD416 track 11

Artists
ISRC
GB-LLH-15-41611
Duration
5'45
Recording date
22 September 2014
Recording venue
Menuhin Hall, Yehudi Menuhin School, Stoke d'Abernon, Cobham, Surrey, United Kingdom
Recording producer
Nicholas Parker
Recording engineer
Mike Hatch & Chris Kalcov
Hyperion usage
  1. Soli - Bartók, Kurtág, Benjamin, Penderecki (SIGCD416)
    Disc 1 Track 11
    Release date: April 2015
    Download only
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