1. Strømmende (Streaming): Ritmico
2. Sorrig og glæde (Sorrow and gladness): Andante
3. Uudslukkelig (Unextinguishable): Allegro con fuoco
The opening movement, Strømmende, is based on two themes from Hakim’s other works : Det strømmende… canon for two voices (2005), on a text by Pastor Hanne Margrethe Tougaard and Capriccio for violin and organ (2004). The conclusive verse of Pastor Tougaard’s text Guds Ånd er Liv (Spirit of God is Life) is the point de départ of the whole concerto. The theme of the Capriccio is an appeal to the ‘Beloved’, to the image of God among us. The form combines the principles of variation and sonata, in contrasted textures and moods (energetic, singing, expressive, lively, humoristic).
The second movement, is based on the Danish hymn, Sorrig og glæde, folk melody (c1670) on a text by Thomas Kingo (1681). The music here represents the opposition between life on earth and eternal Life in Heaven. The different variations of this movement (expressive, ornamental, contrapuntal), draw a general ascending evolution, whether tonal or in the tempo.
The concerto reaches its climax in the dancing and joyful conclusive movement, ‘Uudslukkelig’. It is conceived as a plurithematic rondo-sonata based on Danish hymns, most of them in honour of the Holy Spirit. These include: Du, som går ud fra den levende Gud; Gud Helligånd, o kom!; Kom Gud Helligånd, kom brat; I al sin glans nu stråler solen; Se, nu stiger solen. The two themes of the opening movement are recalled in the coda. The conjunction of the organ to a chamber ensemble inspires a diversity in the soloistic parts for most of the instruments.
from notes by Signum Classics © 2012