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The single-movement Sonata-Monologue juxtaposes voluble, rhapsodic outpourings in alternation with more obstinate rhythmic episodes where a single phrase may be explored through exhaustive repetition, but the overall effect is of something concentrated and controlled. The monologue character, like a keening or protesting vocalise, has a power and intensity offset dramatically by the forward drive of the more rhythmic sections. The music passes through a succession of emotional states, only to end in a questioning, unresolved coda, as if the lone figure of the bard, still singing, has passed on into the distance.
from notes by Malcolm MacDonald ï¿½ 2012
|Khachaturian & Lyapunov: Works for violin and orchestra|
The two composers represented here symbolize two entirely different eras in Russian music, yet their works are perhaps more an expression of continuities, of perennial concerns for Russian composers, such as the need to integrate folkloric element ...» More