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Vermont Counterpoint

1982; arranged in 2010 for vibraphone and pre-recorded tape

Vermont Counterpoint (1982) was commissioned by flutist Ransom Wilson and is dedicated to Betty Freeman. It is scored for three alto flutes, three flutes, three piccolos and one solo part all pre-recorded on tape, plus a live solo part. The live soloist plays alto flute, flute and piccolo and participates in the ongoing counterpoint as well as more extended melodies. The piece could be performed by eleven flutists but is intend primarily as a solo with tape. The duration is approximately ten minutes. In that comparatively short time four sections in four different keys, with the third in a slower tempo, are presented. The compositional techniques used are primarily building up canons between short repeating melodic patterns by substituting notes for rests and then playing melodies that result from their combination. These resulting melodies or melodic patterns then become the basis for the following section as the other surrounding parts in the contrapuntal web fade out. Though the techniques used include several that I discovered as early as 1967 the relatively fast rate of change (there are rarely more than three repeats of any bar), metric modulation into and out of a slower tempo, and relatively rapid changes of key may well create a more concentrated and concise impression.

from notes by Steve Reich © 2011


Reich: Kuniko plays Reich
Studio Master: CKD385Download onlyStudio Master FLAC & ALAC downloads available


Track 5 on CKD385 [9'48] Download only

Track-specific metadata for CKD385 track 5

Recording date
29 March 2010
Recording venue
Nagoya University of Arts, Japan
Recording producer
Recording engineer
George Massenburg & Kazuri Arai
Hyperion usage
  1. Reich: Kuniko plays Reich (CKD385)
    Disc 1 Track 5
    Release date: May 2011
    Download only
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