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Lamentations of Jeremiah
composer
author of text
Lamentations 2: 8, 11
Brumel’s only surviving set of Lamentations, one of the most beautiful in the repertory, is also one of the most sombre, building up a rare mood of desolation by low scoring and slow harmonic movement. As was customary, the Hebrew letters (in this case Heth and Caph) are set separately from the main body of the text; less usual was the conception of the last section in triple time, though this suits rather well the accents in the word ‘Ierusalem’.
from notes by Peter Phillips © 1992
Les seules Lamentations de Brumel qui nous restent comptent parmi les plus belles, mais aussi les plus sombres du répertoire, créant une atmosphère de désolation peu commune par des notes graves et par un mouvement harmonique lent. Comme de coutume, les lettres hébraïques (dans ce cas Heth et Caph) sont isolées du corps principal du texte; mais la dernière partie écrite en rythme ternaire est de facture plus inhabituelle, bien qu’elle convienne assez bien aux accents sur le mot ‘Ierusalem’.
extrait des notes rédigées par Peter Phillips © 1992
Français: Meena Wallaby
Eine derartige Übersteigerung der musikalischen Mittel findet sich bei den zwei anderen Werken dieser Einspielung nicht; bei beiden handelt es sich um vierstimmige Kompositionen. Brumels einzige erhaltene Vertonung von biblischen Lamentationen ist nicht nur mit die schönste des ganzen Repertoires, sondern auch die düsterste; durch die Verwendung tieferer Lagen und langsamer harmonischer Fortschreitung spricht aus ihr trostlose Einsamkeit. Wie in dieser Gattung üblich werden die dem Text vorangestellten hebräischen Buchstaben (hier Heth und Caph) getrennt vertont; ungewöhnlich allerdings ist die Anlage des letzten Abschnitts mit der Verwendung eines dreizeitigen Metrums, obwohl dies den Sprachrhythmus des Wortes ‘Ierusalem’ einleuchtend wiederzugeben vermag.
aus dem Begleittext von Peter Phillips © 1992
Deutsch: Gerd Hüttenhofer
Recordings
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 Brumel: Missa Et ecce terrae motusCDGIM026 There is nothing comparable to Brumel's Earthquake Mass in the Renaissance period and this recording featuring 24 carefully selected voices from the UK and beyond caused quite a stir when it was first released.» More |
 LamentaCDGIM996 Six settings of the Lamentations of Jeremiah, traditionally performed after dark on Maundy Thursday, Good Friday and Holy Saturday.» More |
 Sacred Music in the Renaissance, Vol. 2GIMBX302Boxed set (at a special price) — Download only The second of three volumes featuring The Tallis Scholars' finest recordings, one for each decade, and each offering over five hours of the award-winning performances that helped establish Renaissance Polyphony as one of the great repertoires of w ...» More |
Details
Part 1: Heth. Cogitavit Dominus dissipare
Part 2: Caph. Defecerunt prae lacrimis oculi mei
Part 3: Jerusalem, Jerusalem
