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Sally in our alley

1916; for string quartet

When interviewed by the magazine Musical America during his 1923 tour of the United States, Bridge made his views on the subject of musical nationalism based on traditional sources perfectly clear: ‘If there is to be any expression of national spirit, it must be the expression of the composer’s own thoughts and feelings, and must come from the promptings of his own inspiration; he cannot seek it and any effort on his part to aim at it as a national expression must end in failure.’ Not surprisingly, he rarely made use of folk and traditional sources, preferring to look to the European Continent for his influences and inspiration. On the occasions when he did, as in An Irish Melody, Sally in our alley, Cherry Ripe and Sir Roger de Coverley, he absorbed the ‘given’ material into his musical fabric, taking creative ownership of the melodies, just as Benjamin Britten did a generation later in his folksong settings. Sally in our alley, from 1916, is refined and embellished, with highly perfumed harmonies.

from notes by Paul Hindmarsh © 2013


Bridge: Phantasy Piano Quartet & Sonatas
Studio Master: CDA68003Studio Master FLAC & ALAC downloads available
Favourite Encores for string quartet
CDH55002Last few CD copies remaining


Track 6 on CDA68003 [4'01]
Track 4 on CDH55002 [3'32] Last few CD copies remaining

Track-specific metadata for CDH55002 track 4

Recording date
26 October 1988
Recording venue
Recording producer
John H West
Recording engineer
Antony Howell
Hyperion usage
  1. Favourite Encores for string quartet (CDH55002)
    Disc 1 Track 4
    Release date: May 1999
    Last few CD copies remaining
  2. Favourite Encores for string quartet (CDH88038)
    Disc 1 Track 4
    Release date: November 1989
    Deletion date: May 1999
    Superseded by CDH55002
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