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The other possible unifying theme is to do with a reading of the texts where everything is to do with fear of betrayal (Nos 1 and 2), suffering as a result of a doomed love affair (Nos 3, 4, and 5), or an overwhelming sense of permanent exclusion and icy isolation (Nos 5, 6 and 7). Whether the composer deliberately planned this collection to capture these moods, or whether he simply responded more readily and more regularly to poetry of this kind, is a moot point.
from notes by Graham Johnson © 2010
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Volume 8 of our complete Brahms songs proves the ideal platform for Harriet Burns’s debut album.» More
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Graham Johnson’s complete Schubert and Schumann songs series for Hyperion are landmarks in the history of recorded music. Now this indefatigable performer and scholar turns to the songs and vocal works of Brahms. Hyperion is delighted to present t ...» More