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Gagliarda Quarta, alla Spagnola


Although the galliards, like the harp pieces, are printed in score, Trabaci says that they could also be played by an ensemble of viols or violins. He does not limit himself to the strict galliard measure, but alternates sections in dance rhythm with imitative writing.

from notes by Andrew Lawrence-King © 1987

Bien qu’imprimées en forme de partition comme les pièces pour harpe, les gaillardes pourraient, selon Trabaci, tout autant être interprétées par un ensemble de violes ou de violons. Loin de se borner à la stricte mesure de gaillarde, Trabaci fait alterner des sections en rythme de danse avec une écriture imitative.

extrait des notes rédigées par Andrew Lawrence-King © 1987
Français: Hypérion

Obwohl die Gaillarden wie die Harfenstücke in Partitur gedruckt sind, merkt Trabaci dazu an, sie seien auch von einem Gamben- oder Violinensemble zu spielen. Er beschränkt sich nicht auf den strengen Gaillardentakt, sondern wechselt Abschnitte im Tanzrhythmus mit imitativer Stimmführung ab.

aus dem Begleittext von Andrew Lawrence-King © 1987
Deutsch: Anne Steeb/Bernd Müller


Harp music of the Italian Renaissance
CDH55162Archive Service


Track 6 on CDH55162 [4'20] Archive Service

Track-specific metadata for CDH55162 track 6

Recording date
27 August 1986
Recording venue
Seldon Hall, Haberdashers' Aske's School, Hertfordshire, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Harp music of the Italian Renaissance (CDA66229)
    Disc 1 Track 6
    Release date: August 1987
    Deletion date: April 2004
    Superseded by CDH55162
  2. Harp music of the Italian Renaissance (CDH55162)
    Disc 1 Track 6
    Release date: July 2004
    Deletion date: July 2016
    Archive Service
1.Audio tour Renaissance Faces - Van Eyck to Titian: National Gallery, London, 2008-09
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