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Two Pieces for cello and piano, Op 61


In the Aubade and Scherzo, a slow-fast-slow form is followed by a fast-slow-fast, giving six sections in alternating tempi. We may be reminded of the cavatina/cabaletta pairing of early nineteenth-century Italian arias.

from notes by Roger Nichols © 1996

Dans l’Aubade et Scherzo, une forme rapide-lent-rapide suit une forme lent-rapide-lent, donnant six sections dans des tempos alternants, réminiscences de l’appariement cavatine/cabalette des arias italiennes du début du XIXe siècle.

extrait des notes rédigées par Roger Nichols © 1996
Français: Hypérion

In Aublade und Scherzo folgt nach einem Langsam-Schnell-Langsam ein Schnell-Langsam-Schnell, was eine Struktur aus sechs Passagen in wechselnden Tempi hervorruft. Wir können hier die Kavatine/Kabaletta-Paarung der italienischen Arien des frühen neunzehnten Jahrhunderts wiedererkennen.

aus dem Begleittext von Roger Nichols © 1996
Deutsch: Ute Mansfeldt


Boëllmann & Godard: Cello Sonatas
CDA66888Archive Service


No 1: Aubade
No 2: Scherzo

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