‘At the start of K548's airy finale, Susan Tomes' gracefully demure piano is swiftly countered by Anthony Marwood's raffish forte riposte: and this sense of delighted, quick-witted dialogue between qu ...
‘These are certainly performances to be treasured, with the playing unfailingly stylish and full of imaginative touches … their new recording can be unreservedly recommended’ (BBC Music Magazine)
‘With their close and subtle rapport, the Florestan relish the music's badinage and dramatic imbroglios. They have a knack, too, for sensing opportunities for interplay in the simplest theme-plus-acco ...