‘Hough begins his disc with the Estampes, a vivid reminder that Debussy loved art as much as music, and Hough similarly paints as well as plays. His 'Pagodes' sets the scene with just the right ...
BBC Music Magazine
‘Hough captures every bit of [La plus que lente's] lazy, sensuous languor, just as his account of L’isle joyeuse bristles with superbly controlled energy, while those of the two series o ...