![]() | from Bach: Goldberg Variations (CDA68146) 1 Aria [4'21] 81 minutes 58 seconds 32 tracks2 Variation 1: a 1 Clav. [1'42] 3 Variation 2: a 1 Clav. [1'40] 4 Variation 3: Canone all'Unisuono. a 1 Clav. [2'19] 5 Variation 4: a 1 Clav. [1'08] 6 Variation 5: a 1 ô vero 2 Clav. [1'32] 7 Variation 6: Canone alla Secunda. a 1 Clav. [1'56] 8 Variation 7: a 1 ô vero 2 Clav. Al tempo di Giga [2'02] 9 Variation 8: a 2 Clav. [1'54] 10 Variation 9: Canone alla Terza. a 1 Clav. [1'59] 11 Variation 10: Fughetta. a 1 Clav. [1'37] 12 Variation 11: a 2 Clav. [2'08] 13 Variation 12: Canone alla Quarta. a 1 Clav. [2'35] 14 Variation 13: a 2 Clav. [5'01] 15 Variation 14: a 2 Clav. [2'11] 16 Variation 15: Canone alla Quinta. a 1 Clav. Andante [4'49] 17 Variation 16: Ouverture. a 1 Clav. [2'54] 18 Variation 17: a 2 Clav. [2'18] 19 Variation 18: Canone alla Sexta. a 1 Clav. [1'31] 20 Variation 19: a 1 Clav. [1'42] 21 Variation 20: a 2 Clav. [1'56] 22 Variation 21: Canone alla Settima. a 1 Clav. [3'19] 23 Variation 22: a 1 Clav. [1'30] 24 Variation 23: a 1 Clav. [2'13] 25 Variation 24: Canone all'Ottava. a 1 Clav. [3'25] 26 Variation 25: a 2 Clav. Adagio [8'50] 27 Variation 26: a 2 Clav. [2'03] 28 Variation 27: Canone alla Nona. a 2 Clav. [1'52] 29 Variation 28: a 2 Clav. [2'15] 30 Variation 29: a 1 ô vero 2 Clav. [2'31] 31 Variation 30: Quodlibet. a 1 Clav. [2'00] 32 Aria da capo [2'45] ‘The pianist's enviable polyphonic acumen and dance-orientated conception continue to operate at full capacity, albeit on a deeper and subtler level, as comparative listening reveals’ (Gramophone) ![]() ‘More than any contemporary player, she manages to suggest the harpsichord’s plucking mechanism with her brilliant articulation—the trills of Variation 16!’ (The Sunday Times) |