‘As was the case with Gerhardt’s performances of the Shostakovich concertos, his well-nigh flawless solo playing is closely observed … the generous old-school annotations are a definite plus’ (Gramophone)
‘Alban Gerhardt takes another route through the emotional landscape of the [Elgar] to the famously passionate performance of Jacqueline du Pré and others. Gerhardt emphasizes nobility, dignity, the po ...