‘Ohlsson leaves the best till last. The Op 4 Scherzo, written when Brahms was just 18, has a driving excitement, a febrile quality that is thrilling. And, with his easy brand of virtuosity, he sounds ...
BBC Music Magazine
‘[Garrick Ohlsson] totally won me over with the depth, warmth and power of the performances. It’s big-boned Brahms … but played with such freedom and affection, and it’s a recording that manages ...