‘She succeeds remarkably in giving each work a differently slanted emotional colour, while every detail emerges with glittering definition … a fine disc’ (Pianist)

‘In Hewitt’s hands [the toccatas] evince a molten quality that places the listener in close proximity to the act of composition’ (International Record Review)

‘Angela Hewitt’s intelligent virtuosity, stylish command and uncluttered musicianship not only serve the composer well, but also prove how vibrant and expressive the toccatas can and should sound on the modern concert grand’ (BBC Music Magazine)

‘Imaginative and exciting performances’ (The Observer)

‘This album is now the benchmark recording of these works on the piano’ (Goldberg)

‘Interpretations of the highest quality … For sheer virtuosity she makes us hold our breath at the combination of clarity, dynamic variety and structural comprehension, which is faultlessly conveyed’ (Musical Opinion)

‘Exquisite playing … This disc reinforces Hewitt's position as one of the supreme Bach interpreters and provides the ideal entry point for newcomers to her’ (Music Week)

‘Her performances could hardly be more stylish or impeccable, more vital or refined; and, as a crowning touch, Hyperion's sound is superb’ (Gramophone)

‘A splendid issue altogether, and full marks to all concerned’ (Gramophone)

‘Best Classical Releases of 2009 (so far): acclaimed as one of the most creative and thoughtful performers of J.S. Bach's keyboard music since the innovative performances of her compatriot, Glenn Gould, Canadian pianist Angela Hewitt … brings across the 48 preludes and fugues with assured technique and generous expression’ (AllMusic, USA)

‘Hewitt dares to give us a bejeweled Bach. She has admirable independence in etching each voice in the fugues … she shapes and molds each phrase through color and rhythm … this is a vision of Bach that encompasses an elegant sensuality. It doesn't preclude emotion, either: at many points, I found myself brimming up with the beauty of it all’ (The Dallas Morning News)

‘Ten years ago, Hewitt covered this ground … it seemed she was the last word on the subject … setting out to be the queen of this corner, she delivers a new last word on the subject giving this work a new life that should have come from another interpreter farther down the line. If you own the original, you need to check out this set and hear that she has found more than subtle differences in the work to bring out. A tasty and deep outing that delivers much more than you’d expect’ (Midwest Record, USA)