‘Piers Lane is tremendous, the Bergen Philharmonic Orchestra is splendid and both Lane and Andrew Litton find the perfect tone of delivery … the best of this work is very fine indeed. Lane is again excellent … and all the performers make excellent advocates for a work thoroughly deserving of them’ (International Record Review)

‘The performances, with Piers Lane as soloist and the Bergen Philharmonic conducted by Andrew Litton, are jaw-droppingly good—so much so that any qualms you may have about the works themselves are swept aside by the sheer excitement of it all’ (The Guardian)

‘For the 42nd issue in its 'Romantic Piano Concerto' series, Hyperion turns for inspiration to Norway, and, in a first recording of Eyvind Alnæs's Concerto, they light up the sky like an aurora borealis … such music is heaven-sent, particularly when played by Piers Lane with such enviable poetry, fluency and aplomb. Few pianists could have entered into the romantic spirit more infectiously … Andrew Litton and the Bergen Philharmonic are a perfect foil for their scintillating and indefatigable soloist, and Hyperion's sound balance is impeccable’ (Gramophone)

«Une collection indispensable aux amateurs du genre!» (Diapason, France)

‘A lovely, irresistible record’ (Birmingham Post)

‘These guys can take on the Boston Pops any day!’ (Classic FM)

‘These lovely old tunes have a freshness and charm akin to the best light-hearted literature or illustration from the same period. A splendid successor to the previous volumes’ (Gramophone)

„Hewitt’s Liszt interpretations are both refined and dramatic, very personal and technically flawless. For anyone keen on getting a new view of Liszt this is enriching listening“ (Pizzicato, Luxembourg)

‘Delightful … a sense of delight is telegraphed across the centuries … the music amply rewards the enterprise of those who have revived it’ (Gramophone)

‘A real ear-opener; a must for all lovers of English church music, both for the quality of the music and the standard of performance … 70 minutes of magnificent music … Dr Trepte and his forces deserve our gratitude for unearthing such a musical treasure trove’ (Cambridgeshire Journal)

‘Bursting with irresistable charm and refinement this is a warm and finely blended disc that soothes as well as charms … the sort of recording upon which Hyperion may rest its reputation: a superbly played, recorded and produced exploration of a musical nook heretofore little known but promising much pleasure to the listener. This delicious music is beautifully and skilfully rendered by Holman's players’ (Fanfare, USA)

‘A delightful record’ (Gramophone)