The music of Francis Pott is rapidly gaining attention for its silky lines and sensitivity. The items that give the album its title, Meditations and Remembrances, are settings of the 17th-century thinker Thomas Traherne. One senses Pott's pleasure at painting the word 'love' with such glowing warmth in A Meditation. He is well served by a beautifully tuned choir. The Osanna in the Five-Part Mass is light and crisp and Psalm 126 ends with the sort of melismatic Amen for which the Church was once reprimanded.