The extraordinary soundscapes conjured by Morton Feldman and George Crumb are like nothing else in the whole of twentieth-century music. Steven Osborne is the most sympathetic of guides to these rarefied worlds.
‘Abrupt juxtapositions of slammed fff chords breaking into echoing ppp aftershocks make the piano resonate like you never heard, and Hyperion’s microphones intimately capture the wailing overtones and ...
BBC Music Magazine
The Guardian
BBC Music Magazine The Guardian