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The viol consort was introduced to England in the early sixteenth century and was mainstay of domestic music until the middle of the seventeenth century. After the Restoration of Charles II to the throne in 1660, things rapidly changed with the rise in popularity of the violin amongst court musical lfe and amateurs.
Composers soon ceased to contribute to the viol consort repertory, with some of Purcell's contemporaries such as Roger North regretting the change. North acknowledged that the violin was 'very excellent in it's kind', but thought that the 'noble Base Viol' embodied all its 'sublimitys'.
As North recognised, the viol was not entirely supplanted by the violin in the Restoration period. The bass viol remained in use as a continuo instrument in chamber music until the early eighteenth century, and the instrument acquired a new repertory of solos, duet and trios with continuo. This recording is a survey of this little-known but rewarding repertory.