There’s a good case for claiming Cortot as the greatest of twentieth century French pianists and he was certainly the most prolific one to record in the 78-rpm era. He began recording as a soloist in 1919 and continued through to the 1950s, but nearly all his discs were made in the USA and the UK. It was only during World War 2 that he recorded solo repertoire in France and these recordings, originally only released locally, are much less well known than his London HMVs from the 1930s. Cortot seems to have planned these Paris sessions to be a substantial survey of Chopin’s works, including the complete Polonaises and Scherzi which he had not previously recorded, but in the end only the Études, Préludes and Waltzes were released. Cortot here is still on top form, the post-War decline in his playing not yet evident, and these performances are very much complementary to his earlier ones. Anyone, knowing of Cortot’s ‘wrong notes’ and doubting his technique only has to listen to these Études (all first takes!) to hear virtuoso playing of the highest order, and of course Cortot’s unique poetry is never in doubt. Perhaps the Préludes best reveal the soul of our pianist, and this set finds him at his finest.

As an appendix we have included another rarity, Cortot’s first recording of Chopin’s B minor Piano Sonata, made in London in 1931. He was to remake the work in the then new Abbey Road studios in 1933, and it is this later version which has been continuously reissued, but this earlier version is in no way inferior and could be argued to be better in parts than the 1933 version. It is also in very good sound for its time and we are happy to give it some well-deserved attention.